He thought about the people he knew, with their excellent young bodies, their summerhouses, their cool clothes, their potent drugs, their liberalism, their orgasms, their haircuts. Everything they did was either pleasurable in itself or engineered to bring pleasure down the line. Even the people he knew who were ‘political’ and who protested the war in El Salvador did so largely in order to bathe themselves in an attractively crusading light. And the artists were the worst, the painters and the writers, because they believed they were living for art when they were really feeding their narcissism.
Jeffrey Eugenides, The Marriage Plot (via venula)
(via vasuki)
(via suburbanfervor)
Not many things in my life ever gave me a greater sense of achievement than getting a laugh out of Dave.
- Jonathan Franzen -
On today’s Fresh Air, Jonathan Franzen talks about his book Freedom and reflects on his relationship with David Foster-Wallace. [Also David Foster Wallace on Fresh Air]
We all romp about, grieving, wondering, but with rare exception we mostly remain suspended in the Rhetorical Colloidal Forever that agglutinates between Might and Do.
Tony Kushner (Homebody/Kabul)
(Source: judefields)



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